Vincent Floderer is considered master of the “crumpling” technique, in which the paper is extensively wrinkled and crinkled before it is folded. Floderer’s enthusiasm for the diversity of biological forms is expressed in his stunningly realistic models of aquatic animals and plant life.

Aïe, 2000

The sea anemone on the rock counts 64 flaps and was folded from a square 6-gram handkerchief/napkin paper and subsequently colored. For the rock, paper from the “Papeteries de Gascogne” was used.

À Mon Père, 1999

Folded from a square white handkerchief/napkin paper.

Alios, 1999

Folded from paper from the “Papeteries de Gascogne” and subsequently colored.